News
Solo exhibition Slutten at Hå Gamle Prestegård, Nærbø.
Read more here.
Solo exhibition at Galleri K4, Oslo
Read more here.
Solo exhibition at Buer Gallery, Oslo
Read more here.
Solo exhibition
Soloexhibition “Forstørrelser“ at Telemarksgalleriet in Notodden and Norwegian Industrial museum, Vemork in Rjukan. Read more here.
16th November 2019 - 2nd February 2020
Exhibition
The video work “Flaskepanter“ (2007) will be shown at Galleri 69. The exhibition is part of Kulturnatt. Read more here.
7th September 2019 - 15th September 2019
Exhibition
Process works from Gullklokken (2019) are shown in the exhibition “Vi tar 8-timers dagen“ at Vemork Verdensarvsenteret in Rjukan. Read more here.
1rst May 2019 - 31rst March 2021
Exhibition
The video work Children Falling (2014) and The Bathtub (2013) is shown as part of Riga Photography Biennal 2018. Read more here.
5th of April - 8th of July 2018
Panel discussion
Thiis-Evensen participated in the recidency program of PRAKSIS to discuss the ethical aspect of Line 5 with the curators Natasha Marie Llorens og Natalie Hope O’Donnell. Read more here.
21rst November 2017
Exhibition
For the exhibition in Vigeland museum Thiis-Evensen made with a 3-screen video work named Combing Hair. Read more here.
30th September 2016 - 22nd January 2017
Exhibition
The installation and video work Line 5 is shown at Kunsthall Grenland. Read more here.
11th February 2017 - 12th March 2017
Upcoming exhibitions
2026 - Bomuldsfabriken Art Center, Summer Exhibition, Arendal
2026 - Interkulturelt Museum, Oslo
2025 - House of Foundation, Moss
2024 - GalleriK4, Oslo
2024 - Buer Gallery, Oslo
2025 - Muratcentoventidue-Artecontemporanea, Barii, Italia
2023 - Hå Gamle Prestegård, Nærbø
2022 - Oslo Negativ, Oslo
2022 - Brusfabrikken, Kragerø
2022 - Dropsfabrikken, Trondheim
Press
"Charlotte Thiis-Evensen presses on our most sore points and open unhealed wounds. And allows the audience to heal." (...) I'm impressed by Thiis-Evensen's will to pull people's heads out of the sand, and nobody can say it's not painful to be reminded of your own cowardice.“
- Klassekampen
"The movie [Untitled] shows how three young Norwegian sisters of Somali origin perform the same simple action, namely, wearing a hijab. The three different shawls move slowly through the air, spreading like huge wings around the beautiful serious faces. (…) A beautiful and thought-provoking work that fosters community and alienation.”
- NRK P2
"The exhibition in Kristiansand Kunstmuseum, My Father Tried to Call My Mother, giving a gripping picture of the lonely death of a well-organised and technological society.”
- Kunstkritikk